by Samuel Tafreshi
Radical in its content, striking in its aesthetics, and representative of the vast and shifting landscape of revolutionary thought, this was the print culture of Iran at the moment of liberation.
Read Moreby Samuel Tafreshi
Radical in its content, striking in its aesthetics, and representative of the vast and shifting landscape of revolutionary thought, this was the print culture of Iran at the moment of liberation.
Read Moreby Samuel Tafreshi
What is to be done with the body of a king? When all of the meaning and majesty imbued in his person shrivels and fades before the world, what does he become?
Read Moreby Darius Rejali,
It’s an uncertain day, the kind where you wonder, did I stay in this city a little too long?
Read Moreby Samuel Tafreshi,
What had been its own ‘center’ of intellectual and cultural production became an overlapping periphery beholden to the interests of emerging ‘centers’ in the region.
Read Moreby Jennifer Saparzadeh,
“My blossomed potted plant/ My moonlit balcony / From you I am alone / Fish out of its home.”
Read Moreby Laila Iravani
Read Moreby Laila Iravani
Read Moreby Laila Iravani
Read Moreby Laila Iravani
Read Moreby Laila Iravani
Read Moreby Laila Iravani,
Khabar Keslan is proud to present “What You Know,” a documentary series by Laila Iravani that brings you up front and personal with prominent Iranian artists in America.
Read Moreby Azmi Haroun,
Khabar Keslan presents six interviews with the curators and artists of the NYC-based exhibition Before We Were Banned alongside this review.
Read Moreby Omar Alhashani & Amir H. Fallah,
In this interview, Amir Fallah discusses his research process, immigration, and small possessions.
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