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Here the Iranian government lays bare its vision of the United States: dead soldiers are left to rot, its embassies are exposed as “spy dens,” and top secret CIA documents lay scattered about. Patriotic iconography disintegrates as bald eagles shatter, stars and stripes go up in flames, and the Capitol building crumbles into ruin.
by Ben Rejali
Aya Krisht discusses her design practice with the letterpress, the history of Arabic type and the struggle to preserve traditional printing methods in the midst of war.
Samuel Tafreshi sat down with Palestinian filmmaker and multimedia artist Khaled Jarrar to discuss border technology, the theatrical nature of nation states, and his films Infiltrators (2012) and Notes on Displacement (2022).
Here the Iranian government lays bare its vision of the United States: dead soldiers are left to rot, its embassies are exposed as “spy dens,” and top secret CIA documents lay scattered about. Patriotic iconography disintegrates as bald eagles shatter, stars and stripes go up in flames, and the Capitol building crumbles into ruin.