by Ben Rejali

Islamic Republic of Iran, United Nations Day, 1983. Author’s own.

“Here are the stamps of defeats, the stamps of revolutions… they conceal from me an unknown sovereign, a massacre, palaces in flames, and the song of a mob marching towards a throne, waving placards and shouting slogans." - Louis Aragon, Les Paysan de Paris (1926)

When French surrealist Louis Aragon wrote these words in the 1920s, he was presumably describing the stamps of the newly established Irish Free State or the Soviet Union, but he may as well have been describing those that emerged in the aftermath of the Iranian Revolution of 1979. Within their perforated edges, statues of kings were toppled and mobs, quite literally, marched towards a throne waving placards and shouting slogans. As Aragon notes, the stamps of a revolution are also the stamps of a defeat and while the Pahlavi family are the great losers of the Iranian Revolution, the stamps featured in this article bear their teeth at the American government.

The Iranian Revolution dealt a major blow to America in 1979 and, in turn, successive Democratic and Republican governments have taken out their ire on generations of Iranians. The US government employs sanctions, wars of attrition and hit-and-run tactics that leave dead civilians in their wake with their zionist collaborators. Not long after, these injustices are forgotten or ignored by Western media and the United Nations. If American media keeps the news cycle spinning by painting Palestinians, Yemenis, Iranians, and countless others as villains on the global stage, deserving of the massacres they’re subjected to, these stamps respond to the accusations.

Islamic Republic of Iran, Failure of US Military Aggression Against Iran, 1980. Author’s own.

From Carter’s failed mission to rescue the US Embassy staff in 1980 to the USS Vincennes missile strike that killed the 290 civilian passengers onboard Iran Air Flight 505 in 1988, Iranian stamps narrate these encounters. The postage stamp is a form of mass media that crosses borders that people and newspapers cannot, communicating their message in miniature to citizens and non-citizens, recipients and postal workers. The Islamic Republic used these stamps to present an image of itself as being sometimes victorious, sometimes abused, but always righteous in its cause against American dominance. America, comparatively, is painted the true bastard who murders the innocent and then plays the victim, who wins because he cheats and not because he plays the game well.

Many Iranian stamps respond directly to Western media visuals by integrating and subverting them, such as with the blindfolded diplomat, Robert Blucker, whose image was broadcast again and again by ABC News to denounce the seizure of the US Embassy, but is featured proudly on a stamp in 1983. Or the UN Security Council’s five permanent members—USA, UK, France, China, and Russia—depicted in the form of a demon hand reaching out from the UN building with its long, red fingers caressing the globe. Through their use of pastiche, collage and caricature, they mock Western dominance with a simple and accessible visual language.

Islamic Republic of Iran, The Takeover of the US Spy Den, 1983. Author’s own.

Here the Iranian government lays bare its vision of the United States. America’s dead soldiers are left to rot, its embassies are exposed as “spy dens,” and top secret CIA documents lay scattered about. Patriotic iconography disintegrates: bald eagles are shattered, stars and stripes go up in flames and the Capitol building crumbles into ruin. It is a portrait of the country that the US government prefers to keep hidden. It is America’s shadow put under a spotlight to reveal its weaknesses and wrongdoings, its military failures and massacres of civilians. Here are the stamps of the Iranian Revolution, here are the stamps of America’s defeat.

Demon Hands and Burning Flags: Visions of America on Iran’s Stamps

Where Are You Going? إلى أين ذاهب؟

Not, Not Nation